Aleksandra ( Nina Ivanisin ) studying English at the University of Lujbljana Slovenia. To make ends meet or say move faster and to afford the apartment of her dreams, she takes a small student job that pays pretty good. In hotel rooms in the capital, she is a prostitute with coldness and venality. It is by browsing the classifieds under the code name Slovenka we can hire out their services for 200 €. She divides her time between passes, and during his return trips to his hometown where his father, an old Rocker missed vegetate until the death he is keen but he rejects his love for his daughter, his only satisfaction. Aleksandra's mother was in turn taken from the home. As she moves into her new apartment, Slovenka will be aware, the head upside down, it does not fit into prostitution voluntarily.
The major advantage of Slovenian Girl lies precisely in the motives of this young student. Venal and manipulative, she has none of the board despite her poor girl in a prostitution ring. There will a strong will. The interpretation of Nina Ivanisin as such is quite successful, she brings to her character all the necessary duality. She has the face of a determined girl who grew too fast, cold and dry. She probably did not want to end up like his father (Peter Musevski ), a pillar of the counter which is celebrating its anniversary with the local bumpkins. This story could happen to a lot of girls who are disillusioned capitalist reality for the only truly credible. Who could really blame him? The fact that the action takes place in 2008 is Moreover, not anecdotal, it coincides with the Presidency Slovenian European Union presidency as the director has not brought anything other than traffic jams in the capital. He also recites throughout his narrative, the same sequence: that of a column of diplomatic cars through the city against the grain and burn the red lights. Somehow Aleksandra advantage of this migration diplomats.
Dajman Kozole , self-taught filmmaker chose to film his head on heroin, not without some research aesthetics. He never judges, he describes a real suspended between two shots son, those that activate the Pavlovian desire for money or those of the former lover still in love. The two left on the face of the actress in the same footprint frozen mixture of fear and determination, she carries the film, she offers a texture as smooth as marble veined white. The parallel plots woven by the director are more superficial, he really earned his narrative focus on the young woman and continued to lose with her in her quest for a better life made solely through the prism of an unbridled materialism.
is however without trouble and even with interest that follows the path of this chaotic and crafty woman furiously liar, that clings to this singular way she has to lick the paper of his cigarette before light it, tick it inherited the only person she truly loves, his endearing father. Their relationship is also apparel development, it offers the actress her rare smiles that light up his face subtly melancholy and gave him a delicate depth. The last shot of the film is also very beautiful, the youth returns to Aleksandra the surface in favor of a slow zoom in on her face, her voice being superimposed on that of his father who sang in a concert hall that has just left to smoke a cigarette. The past as future promise.
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