Wednesday, March 2, 2011

Scooter For 4 Year Old

Winter's Bone ** *** ** True Grit

Laura Palmer is alive! Lynch had not lied to us, it was well past the other side of the red room, where a midget talking backwards. The turning Tronches Broken Bone Winter's here she opens the door of a home where a representative panel of the American heartland hit the card and Dolly Parton sings on the banjo strumming. Sheryl Lee , the actress who plays Laura, the necrophiliac fantasy of a generation who discovered with Twin Peaks that television could exceed the cinema. Laura's body found wrapped in plastic beside a river, dead as innocence, found an outlet in Winter's Bone. Yet there she made a quick appearance, but its role responds strangely to that of Laura Lynch.

It is also in question Winter's Bone from director Debra Granik , an innocence under strain. Ree Dolly ( Jennifer Lawrence) lives in a forest in Missouri with his younger brother and his little sister whom she works full time, her mother prostrate on a sofa is down, a victim of trauma brain and behind his father in prison of a past trafficker. When she learns she may be expropriated because he just paid his bail by mortgaging the family plot, she decides to go looking for him. Unfortunately in the hometown person No one has seen the faces decayed close even when it pronounces his name. In unearthing the truth, Ree will face severe problems such as Laura and Twin Peaks pay his effrontery.

Halfway between a novel by Erskine Caldwell and Issuance of John Boorman , Winter's Bone rancid smell of misery and despair of an America bent on itself. This one even scary when you see her around and feeds the fantasy of incest and bestiality, cowboys and loggers gallows at the wheel of their trucks, shotgun under the passenger seat, a resident of dilapidated old farmhouses on which snort of starving dogs. At the rear of the barns, torture chambers, cellars oozing where women even more ferocious than their husbands alcoholic amochent faces pure rummaging through their trash. There is in Winter's Bone , not an escalation of the grotesque, but a search of the infallible truth choking in mud rather than abandon this path and cross is perfectly embodied by Jennifer Lawrence, she offers her his only escape character, the strength of despair, infallible stem wind that accepts his fate as she enlisted in the army. All his choices are also inconsistent, they are motivated by that, survival. You must see spit at the foot of a man and the next scene his family deal with infinite tenderness just crumble before her beautiful shell before the lifeless face of his mother from whom she asks for help, just once mom. And yet how powerfully she checks out the opacity of the lake, the hands of the issue while his tears were drowned in the din of an electric saw.

In the gallery of wonderful facial injuries that gin this movie test be insulated with joy the new Denis Hooper in the person of John Hawkes , whose interpretation sometimes terrifying, sometimes protective be as sharp as the barrel of a gun. Incredible scene face to face in a dark night through the rearview mirror of a car. The film is also brilliantly staged by Debra Garnik, who did not sign there that his second feature film. In each sequence, despite the constant tension and escapes the camera captures the details of a significant beauty, she reminds the theatrics of Terrence Malick : oil, carcasses of car, statuettes of children lost in landfills, the faces of dogs or a small film in black and white squirrels fleeing deforestation. There is no dead time in this epic, the simple accuracy of a work that does not say too much, not doing too much and do not pay into sentimentality when he held out his arms. Winter's Bone is a film of raw beauty.

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