Michel Gondry finally bitten the apple of the blockbuster. Its know-how would he be devoured by the requirements of U.S. producers chilly? No! In adapting The Green Hornet (the Green Hornet), a television series of the 60s telling the crazy adventures of a super hero duo with Bruce Lee in interpreting the role of Kaito, specialist in martial arts, French director has largely cooled recently sealed a kind by an overdose of philosophy of darkness.
The history of this fake superhero played by Seth Rogen (also credited as co-writer), devoid of any power and remained resolutely, decked a teammate brilliant, gifted inventor and expert double kick in the face, is simply orgasmic! The staging of Gondry, decidedly more conventional than his previous films, brilliantly combines comedy and action. Each scene is full of diversions, creative sequences in purely destructive and washed gangrene of all digital. The cast had yet nothing promising, the unknown Jay Chou in the role of Kaito, the insipid Cameron Diaz , comedian Seth Rogen apathetic which is added the awesome multi-linguist Christoph Waltz already work in Inglorious Bastards. Well, contrary to expectations, this little world is doing the honors, aftershocks felt good, monologues corrosive, second degree, references by legions ... with the exception of a 3D as ridiculous as boring ( he will explain to the designers of these hideous glasses that those who are already must constantly readjust them on their noses and the dual contact produces a greenhouse effect causing inevitable itself an unpleasant fog), the story follows a devilishly childish pleasure.
Because that's what it is. A bunch of kids having fun to go to war as we once did in our apartments by creating lawsuits cars on the sofas of the lounge and when we could suddenly decide to put a rouste our best friend just to test our abilities . Gondry and his gang realize this fantasy knights and more of the guilty pleasure destruction of the environment that we were strictly forbidden. As it is nice to finally see a bit of realism in these worlds where usually formatted only the bad guys spitting blood. We can not imagine the number of civilians who have taken the bombs dropped indiscriminately by the tunes of the two cars zozos masked and yet all those crushed by the crane, the ends of the building and striking the screen Carlings .
the exception of a second party running out of steam just before the grand finale and a sketch of the relationship between the two men that does not, nothing is thrown into this work resolutely unconventional and dynamic.
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